Hyphen magazine - Asian American arts, culture, and politics


Blog Posts

After months of campaigning by immigrant and LGBTQ rights groups, Nicoll Hernández-Polanco was freed from her detention by ICE. Her story, written by Kris Hayashi of the Transgender Law Center, is a story of a young woman who escaped the broken immigration system, and how she was criminalized and psychologically tortured simply for being young and transgender.  

Kris Hayashi | April 29, 2015 - 11:41am

 

Connect with us to pitch a story, apply for a staff position, or let us know how you'd like to be involved. All positions are volunteer, you'll receive payment in the satisfaction that you're contributing to an organization ensuring Asian American voices are heard, perspectives are told, and faces are seen.

Mia Nakano LGBTQ | June 29, 2014 - 4:16pm
I have to give Center for Asian American Media and everybody involved in the 25th SFIAAFF kudos – I think it was an amazing week.
Neela Banerjee | March 24, 2007 - 1:54pm
So I have been thinking about what to write for this blog entry for a couple of days. As a Hyphen blogger/editor and usual attendee of the film festival, I decided to watch some screeners of films from this year's San Francisco International Asian American Film Festival and blog about them.
Momo Chang | March 21, 2007 - 11:00am
6.jpg This year's SFIAAFF features two creepshows set in the Philippines: Ang Pamana and Blackout. A fellow Hyphen staffer who had lived in the Philippines assured me one day via chat that, second to romances, horror films are plenty. "A LOT," he typed out.
Rebecca | March 20, 2007 - 3:48pm
So, I’m not sure if anyone watched the reality show – or docu-soap – I’m From Rolling Stone on MTV, most people didn’t.
Neela Banerjee | March 19, 2007 - 5:10pm
AnoushkaShankar1a_cPamelaSp.jpg Anoushka Shankar talks to Mr. Hyphen (photos courtesy of Pamela Springsteen and Capitol Records)
Robin Sukhadia | March 19, 2007 - 10:34am
I’ve always loved the shorts programs at the SFIAAFF. I think it is where they showcase the most exciting work being done by Asian American filmmakers. These are the films that make me think and inspire my own art.
Neela Banerjee | March 18, 2007 - 11:17pm
Released in 1961, Flower Drum Song was a revolutionary movie for its time and would be unheard of if it were attempted today--a big-studio musical with a largely Asian American cast.
Harry Mok | March 18, 2007 - 9:24am
hammerhyphen.jpg MC Hammer shows his love for Asian America and Hyphen magazine at the opening gala for the 2007 San Francisco International Asian American Film Festival. Hammer played talent agent Roy Thunders in Justin Lin's Finishing the Game which opened the festival. Photo by Bernice Yee I’ll have to say, there’s nothing like a giant theater full of Asian Americans and a party with free Lychee Martinis to make you feel good about your community.
Neela Banerjee | March 16, 2007 - 11:54am
I'm super excited to go to Saturday's panel discussion, Down and Dirty Pictures. It'll be at the Opera Plaza and starts at 1pm. SFIAAFF is calling the featured directing trio Gregg Araki, Roddy Bogawa and Jon Moritsugu the 'original "bad boys" of Asian American cinema.' How can you resist that? I certainly couldn't. They're to talk about their bodies of work, the role of the 'truly independent' filmmaker, and, of course, its future prospects. (What panel would be complete without a little prophesying?) For other panel discussions, see the SFIAAFF website Another Hyphen staffer will be going to the Ellen Kuras Master Class, which is on Sunday at 3pm, also at the Opera Plaza. Cinematographer Ellen Kuras' laureled career has included work with Michel Gondry (Eternal Sunshine of the Spotless Mind), Rebecca Miller and Spike Lee (Summer of Sam and Bamboozled), and on films such as I Shot Andy Warhol and Jim Jarmusch's Coffee and Cigarettes. She'll talk about her cinematographic and decision-making processes, and colloborating with directors.
Rebecca | March 16, 2007 - 11:06am
Interesting art review in this week's edition of the Houston Press (a weekly paper where I used to work): One Way Or Another: Asian American Art Now. The critic talks about a visual art show of works by Asian American artists put together by the Asia Society in 1996 and compares it to a current show (same title as the article) in the same gallery. The difference? The show from 11 years ago concentrated on themes of identity and the immigrant experience. Today, the themes don't really have anything to do with identity.
Melissa Hung | March 15, 2007 - 4:45pm
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