After months of campaigning by immigrant and LGBTQ rights groups, Nicoll Hernández-Polanco was freed from her detention by ICE. Her story, written by Kris Hayashi of the Transgender Law Center, is a story of a young woman who escaped the broken immigration system, and how she was criminalized and psychologically tortured simply for being young and transgender.
Connect with us to pitch a story, apply for a staff position, or let us know how you'd like to be involved. All positions are volunteer, you'll receive payment in the satisfaction that you're contributing to an organization ensuring Asian American voices are heard, perspectives are told, and faces are seen.
Sprawlingly ambitious, Joy Dietrich's feature film directorial debut Tie a Yellow Ribbon touches upon just about every young Asian American women's identity issue there is, the sum of it being that it pretty much sucks to be one.
By William Wong
For nine years (1989-1998), I wrote a regular column for AsianWeek, the San Francisco-based weekly newspaper that bills itself as “The Voice of Asian America” but that now has egg foo yung on its face for its incredibly stupid decision to publish a racist rant (“Why I Hate Blacks”) by a young writer named Kenneth Che-Tew Eng, or as AsianWeek labels his (now former) column, “God of the Universe.”
Mr. Hyphen talks to one of the world's greatest Sarode players, Aashish Khan.
CalArts is an amazing place. It is one of the few arts schools in the country where so many different disciplines (dance, animation, music, visual arts, theater, and film) converge under one roof. In fact, it is the only school where such artistic diversity exists within one building.