AGAIN with the inscrutability!

October 9, 2005

If I had a dollar for every science fiction perpetrator who used Asian languages as a signpost of the future, BUT NOT ASIAN PEOPLE ... well, I'd have a bunch of dollars.

Take Joss Whedon ... please.

His Serenity, a feature film both summarizing and sequelizing his short-lived television drama Firefly, was eagerly awaited by fans of all of Whedon's tv dramas, which--FYI--include Buffy the Vampire Slayer and its spinoff, Angel. Opening week and subsequent viewing has been carefully strategized among Whedonites to optimize the possibility of Firefly returning to the large screen or even the small screen with new episodes and a longer shelf-life.

Well ... yay fandom, as far as that goes. It probably won't work. The near-universal positive reviews of Serenity only show that everyone is capable of copping to the snarky goodness of Joss's brand of adolescent angst expressed in martial arts action, genuinely witty dialogue, and unpredictable plot reversals. That Serenity was poor man's Joss Whedon--Whedon on a bad day, Joss with a cold--doesn't really matter. Nobody wants this badly enough (Joss fans aside) and it probably won't manifest again.

But fortunately for the smokin' Joss sticks who will howl down upon this comments section, that's not my complaint (or contention) today. My beef is this: why would a man intelligent enough to read the Asian tiger on the wall (having all the characters in his future world speak an English/Chinese patois, and all of the spaceship names and call signs translated into Chinese on their hulls), be too stupid to include a SINGLE ASIAN CHARACTER in said world?

Sure, there were maybe enough Asian extras in Serenity to count off on (one of) my hands, but where's the recognition, folks? The slopes are coming, and not just to buy your cheap-ass products (which they're sweat-shopping anyway.) Asian economies are just that: economies. Not wet, gaping holes for you to fill with your junk, but rather whole, integral eco-bitches of cash and power, that will only invite you to join their orgy if you're very, very relevant.

In the world of Serenity, Asians are literally inscrutable. We somehow rule the universe enough to get our main lingo (Chinese, natch) spoken everywhere, yet you can't scrut us. Anywhere. But in fifty years the world really will look more like the establishing shot of Blade Runner (which Whedon jacks with abandon, sans, of course, Asianyness), with the massive moving billboards of future cities burdened with the facets of Asian beauty and Asian power. The politicians you'll love to hate will be Asian. The CEOs who own them will be Asian. The guy in the corner store? Still Asian, but so, too, the cops that park there illegally to grab a dozen you tiu with their coffee, and the kid that stupidly holds up the store while the cops are there. You can't make up, like, over half the world's population, be poised to swoop down upon the new global economy like a hawks on a dazed field mouse, and not end up everywhere. In fifty years, much less five hundred, Asians will be more scrutable than the sky. You won't be able to look away.

Whedon's remarkable whitecentricity was well-taken in Buffy, an extended paean to the dying art of living in the suburbs. It was ridiculous in Angel, a Los Angeles mean-streets demon-ride, with, like, two black people and no Latinos. (I should thank Angel here for offering fans a months-long study of Daniel Dae Kim's jawline, but Angel also gave us the one-too-manyeth view of Bai Ling's cleavage, so I ain't gonna.) But let's take credit away where credit doesn't belong, people. Joss himself brought up the Asian, and then signally failed to embody it. Maybe it just didn't occur to him, you know, while he was hiring those linguists to inject some Mandarin into the dialogue. Or maybe it did occur to him but og forbid a white auteur privilege Asian characters in an already Asian world.

Time, Jossy, for a little rethink. I know you still consider developed black characters to be shocking and a testament to your racismlessness, but let's really follow your logic out to its conclusions. Maybe you'll find yourself a little more relevant to non-geeks if you bother to really look at the people who already populate and are going to populate the spaces you exploit for your fictions. You're supposed to be smarter than the average white boy. Use it.

UPDATE I'm very pleased to be able to tell you that great minds think alike. Liz, over at Other Magazine's staff blog (I blog there on Sundays) came up with pretty much the same complaint about Serenity completely independently of me. We only found out about each other's blog entries after the fact.

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Whedon reflects the common mental orientation of most White people, particularly White males. They enjoy Asian culture, they think it's cool, and Asian women can be a nice exotic change of pace once in a while, but they have no great love for Asian men. So they either attack, demean, mock, or, much more frequently, ignore or pretend they don't exist. They cultivate a sense of superiority over Asian men, while on some subconscious level harbor hidden fears of the effectiveness with which Asian men can compete against them.Thus, in the popular mythology of White men (pretty much any science fiction show), constructed from the stuff in their collective subconscious, you will NEVER see Asian males who are strong, visible, powerful, confident, cool, excellent. In fact you will most likely not see them period.Stargate SG1? Nope. Stargate Atlantis? Nope. Star Wars movies? Nope. Star Trek in all its various forms? Nope. Sorry, Sulu and Ensign Kim don't measure up (read: are not allowed to) compared to their White male competition on-screen. Name ten other science fiction movies or TV shows. Where is the charismatic and attractive Asian dude? Many such men exist in reality, but not on TV or the big screen, and the insidious thing about this particular cultural sickness is that most people assume this lack of verisimilitude to be normality. They take it for granted, without question.
So the bottom line is that every now and then White people will let Asian females be shown onscreen, but oftentimes, like in Serenity, the whole Asian thing is swept under the carpet.Any reasonable extrapolation from today's world into the future will get you a world where Asians dominate a spacefaring human civilization. It is only in White-male science fiction where this is actively ignored.Should this be a surprise? Not really. We already have numerous TV shows and movies that take place in San Francisco and Hawaii and yet show little or no Asian faces.The truth? Many Whites probably don't like / aren't crazy about Asian features / looks but will never admit it.
Well I think people are a little too deeply invested in this make believe world, but...T.A. what 'reasonable extrapolation' from today's world gives you interplanetary travel on a regular basis, let alone some sort of 'Asian dominance' of this sort of thing? This would be based on what?? IF you 'accept'some sort of 'future world' of space travel, it would seem, based on available data that the US would dominate. And that crew could look like anybody - but would mostly be white guys.How many TV shows take place in Hawaii? How many in San Francisco? Despite the sincerity of your claim, the facts don't seem to support you.As to the "...every now and then white people will let Asian females be shown on screen..." and "Many Whites probably don't like/aren't crazy about Asian features/looks..." comments; doesn't this sort of fly in the face of the oft repeated rant about Whites (men, especially) and their rampant Asian women/yellow fever fetish which they can't control?? Wouldn't that make them just salivate at the opportunity to showcase the objects of their desires without restraint?Most whites probably don't think about Asian features or looks in the execution of their daily grinds, and Asians aren't 'perceived' as inherently 'dangerous' as some other minorities are seen. So they roll by unnoticed. That sucks, but...
Claire, I have the same feeling watching Firefly and Serentiy as I do driving through New Jersey and Long Island passing town after town named after an area tribe: ominous and deliberate extermination. If that's not Joss's story, too bad; it's got more drama and depravity than fan froth and far-fetched speculation.The sickness of it completely funneled me away from, "He forgot Asians!"
When you hold up any of Joss's lilly white TV shows to Blade: The Series, The CSI's, Law and Order or Homicide the lack of minority casting becomes even more glaring. His shows hark back to the boad stereotypes of the 70's. Perhaps this is why Whedon's shows never managed large ratings and his movies flopped; he writes for only the white segment of the audience. As long as white writers and producers control the power of perception in the media we will continue to see shows like Friends, Firefly and Buffy. So it's up to writers of color to seek out the scriptwriting and producing opportunites so that you can have a voice in determining what hits the air.
We should be happy that there are no Asians in crap like Serenity (or Firefly) or CSI.
T.A.You can't say that:"Any reasonable extrapolation from today's world into the future will get you a world where Asians dominate a space faring human civilization."It is just not true.No one knows what would have happened.My grandmother is Japanese, so I know a little about that culture.You know, the whole, Japan was trying to invade China and Korea thing.Well the culture I know more is the "White Man" and his culture.With that a given; I wouldn't underestimate the ability of the "Americans" to subvert ANY culture and run it into the ground.

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