He goes on:
Are the Chan films racist? Not, I think, by the standards of their time. Mr. Biggers is said to have created Chan (based on a real detective, Chang Apana, who worked for the Honolulu police) to counter the negative images of Asians being fueled by the Hearst papers' "yellow peril" campaigns and embodied most repellently by Sax Rohmer's sadistic "Oriental" villain, Dr. Fu Manchu. Mr. Oland, a popular heavy of the silent era who played practically every ethnicity available (including, on occasion, a Swede), was the screen's first Fu Manchu, in the 1929 "Mysterious Doctor Fu Manchu" and three subsequent films for Paramount.
Recruited by Fox in 1931 for "Charlie Chan Carries On," a film that is now lost, Mr. Oland seemed to spend the balance of his life and career making up for the excesses of the Fu Manchu character. In the Fox set, both "Charlie Chan in London" (1934) and "Charlie Chan in Paris" (1935) contain scenes in which Chan coolly and wittily dispatches other characters' racist remarks. Chan, whose huge intellect mysteriously did not extend to an ability to master English articles ("Joy in heart more desirable than bullet"), might have been a stereotype, but he was a stereotype on the side of the angels.
Is something not racist because it was well-intentioned? Is it unfair to judge it by the standards of today? What's your verdict? Charlie Chan -- Racist? Not racist?
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