One of the first characters readers are introduced to in Jon Pineda’s new imagery-rich novel, Let’s No One Get Hurt, is the river that curls itself around the compound where young protagonist Pearl and her ragtag group of compadres lives. Pineda compares the river at times to “tailor’s chalk” and at other times to “television static.” But the most precise description of the river — and the role it plays for Pearl in her winding path toward womanhood — is the virgule, “meaning ‘either this or that.’ Or both, fusing like a stitch.”
In an era of book-to-film adaptations a la Hidden Figures or book-to-TV adaptations like The Handmaid’s Tale, Jimin Han’s debut novel, A Small Revolution, spins the trend on its head by reading, instead, like a literary adaptation of a miniseries, a visual and visceral journey through some of storytelling’s most familiar tropes: love, innocence, loss of innocence; violence, corruption, deception; duty to country, to others, to self; and personal truths versus reality.
Stills from filmed rituals and recorded interviews render uniquely innovative Ravva's narrative about memory.
Hyphen's Joyce Chen talks with Jeff Chang about his new book, Who We Be: The Colorization of America.
Hyphen's Joyce Chen interviewed Patrick Epino, Stephen Dypiangco, Phil Yu, and Aaron Takahashi about the film Awesome Asian Bad Guys.
David Mura tells Hyphen about his writing process, what first prompted his interest in Asian American issues, and why it is important for writers of color to take ownership of their identities.
What does it mean to be “man enough” in a modern-day society that is
constantly changing its perceived notions of the masculine ideal?
Books reviewer Joyce Chen interviews author Peter Tieryas Liu about his first novel, Bald New World.
Books reviewer Joyce Chen reviews a new memoir by Anchee Min, a tale of one immigrant's balancing acts.
Arvin Chen’s sophomore film, Will You Still Love Me Tomorrow, debuted at the 2013 Tribeca Film Festival. He describes his process in character development, why he decided to include elements of magical realism, and how he inadvertently ended up casting two Taiwanese pop stars in the lead roles.
Filmmaker Mira Nair talks about the difficulties of making a movie starring a Muslim protagonist and the conversations surrounding it.
there was ever literary proof that the need for love and validation
drives all human actions, then Peter Tieryas Liu’s haunting collection of short
stories would provide it.
Sanjay Gupta, CNN’s renowned chief medical correspondent, tackles the world of
fiction with his latest book, Monday
The impetus for So Yong Kim’s career in filmmaking was simple, and she’s aimed to keep it that way ever since.
Kelly Tsai’s play Say You Heard My Echo explores faith and connectivity in the lives of three Asian American women post-9/11.
Full disclosure: This past weekend, I spent my Saturday night in New Jersey in the company of something like tens of thousands of screaming tween girls, their equally excited mothers, and plenty of iPhone-wielding dads who gave each other knowing looks across the aisle. A friend of mine was working on a story about Justin Bieber, or more specifically, his signature hair swoosh, and so as part of the reporting process, I found myself at the Prudential Center in Newark, head bobbing to Bieber’s tunes and marveling at the epic proportions of a YouTube craze gone viral.
These days, masculinity in the media is taking on forms other than the Old Spice guy’s booming voice and log-rolling antics -- try ballet dancers and grand jetés in place of He-Man and power-punches. Bruce Beresford's Mao's Last Dancer is the kind of film that many Asian Americans have been long waiting to see following the questionable representations found in films like The Hangover and The Last Airbender (comical angry Asian mob bosses and sinister villains, respectively).
The story is familiar: Asian American high schoolers toil away night and day, shuttled between school in the daytime, cram schools at night and a multitude of extracurricular sports, music and art classes in between. Tack on a few leadership roles and a volunteer stint or two, and long before they’ve ever taken their first college course or sauntered into their first internship interview, these kids already have overflowing resumes.
One year after feel-good Bollywood-esque flick Slumdog Millionaire took the cinematic stage, sweeping the American awards circuit with eight Oscar wins, the Mumbai momentum keeps on rolling. From Bollywood big screen to situation sitcom small screen (that's a mouthful) -- TV's latest additions to what one historian refers to as the "ethnic comedy mix" features Asian American leads. Two new comedies -- Fox's Nevermind Nirvana and NBC's Outsourced -- represent the latest in culturally inclusive primetime: both are ensemble shows centered around Indians and Indian Americans.